<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>jamie allen &#187; Work</title>
	<atom:link href="http://www.heavyside.net/category/work/feed" rel="self" type="application/rss+xml" />
	<link>http://www.heavyside.net</link>
	<description>multimedia projects by artist-researcher jamie allen</description>
	<lastBuildDate>Fri, 03 Feb 2012 17:26:31 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	
		<item>
		<title>Acoustic Subtraction</title>
		<link>http://www.heavyside.net/acoustic-subtraction</link>
		<comments>http://www.heavyside.net/acoustic-subtraction#comments</comments>
		<pubDate>Wed, 18 May 2011 20:05:06 +0000</pubDate>
		<dc:creator>jamie</dc:creator>
				<category><![CDATA[2011]]></category>
		<category><![CDATA[audio]]></category>
		<category><![CDATA[installation]]></category>

		<guid isPermaLink="false">http://www.heavyside.net/?p=2565</guid>
		<description><![CDATA[Acoustic Subtractions are events in public space: Twenty minutes of white noise followed by twenty minutes of “silence.” The audible world is masked and cancelled out by the potentials of all sound, the act of listening cleansed by its own saturation.  Saturate every atom.  This piece was devised by Will Schrimshaw and Jamie Allen for Resonator (2010). [...]]]></description>
			<content:encoded><![CDATA[<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 1em; margin-left: 0px; padding: 0px;">Acoustic Subtractions are events in public space: Twenty minutes of white noise followed by twenty minutes of “silence.”</p>
<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 1em; margin-left: 0px; padding: 0px;">The audible world is masked and cancelled out by the potentials of all sound, the act of listening cleansed by its own saturation.  Saturate every atom.  This piece was devised by <a title="Will Schrimshaw" href="http://willschrimshaw.net/" target="_blank">Will Schrimshaw</a> and Jamie Allen for <a title="Resonator" href="http://largervibrationalcontinuum.org/" target="_blank">Resonator</a> (2010). Acoustic subtractions have been undertaken in a number of locations internationally, including <a title="Kielder Forest" href="http://goo.gl/maps/GLEI" target="_blank">Kielder Forest, UK</a>, <a title="Vienna" href="http://maps.google.com/maps?client=safari&amp;q=Kaiserm%C3%BChlen+vienna&amp;oe=UTF-8&amp;ie=UTF8&amp;hq=&amp;hnear=Kaiserm%C3%BChlen+Vienna,+Austria&amp;gl=us&amp;t=h&amp;z=13" target="_blank">Semperdepot, Vienna</a>, <a title="Suncheon Wild Tea House Korea" href="http://www.visitkorea.or.kr/enu/SI/SI_EN_3_1_1_1.jsp?cid=1134483" target="_blank">Suncheon Wild Tea House</a>, and <a title="ACOUSTIC SUBTRACTION AT PLATOON KUNSTHALLE" href="http://www.kunsthalle.com/events/sound-performance" target="_blank">Platoon Kunsthalle</a> Seoul and the <a title="Eyup Sultan Mosque" href="http://en.wikipedia.org/wiki/Ey%C3%BCp_Sultan_Mosque" target="_blank">Eyup Sultan Mosque</a> in Istanbul.</p>
<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 1em; margin-left: 0px; padding: 0px;"><em><strong>Partners:</strong></em> <a href="http://willschrimshaw.net/work/acoustic-subtraction/" target="_blank">Will Schrimshaw</a>, <a title="Detour" href="http://worm.org/detour/" target="_blank">worm/detour</a>, <a title="AV Festival" href="http://www.avfestival.co.uk/" target="_blank">AV Festival</a>, <a title="Platoon Kunsthalle Seoul" href="http://www.kunsthalle.com/" target="_blank">Platoon Kunsthalle</a>, <a title="Mullae Art Space Seoul" href="http://eng.seoulartspace.or.kr/G05_mullae/main.asp" target="_blank">Mullae Art Space Seoul</a></p>
]]></content:encoded>
			<wfw:commentRss>http://www.heavyside.net/acoustic-subtraction/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>MLB</title>
		<link>http://www.heavyside.net/mlb</link>
		<comments>http://www.heavyside.net/mlb#comments</comments>
		<pubDate>Tue, 10 May 2011 13:08:16 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[2011]]></category>
		<category><![CDATA[audio]]></category>
		<category><![CDATA[performance]]></category>
		<category><![CDATA[workshop]]></category>

		<guid isPermaLink="false">http://www.heavyside.net/?p=2391</guid>
		<description><![CDATA[An international invitational for white-light and noise performance practitioners.  Studio recordings at STEIM, as well as video releases highlighting artists involved in noise aesthetics, directness in electronic performance, hardware minimalism and signal synaesthesia. Partners: Canada Council for the Arts, STEIM.org, worm/detour, Culture Lab, Jo Kazuhiro, Yao Chung-Han, Loud Objects, Phil Stearns, Atsuhiro Ito, OT301, RHIZ, [...]]]></description>
			<content:encoded><![CDATA[<p>An international invitational for white-light and noise performance practitioners.  Studio recordings at STEIM, as well as video releases highlighting artists involved in noise aesthetics, directness in electronic performance, hardware minimalism and signal synaesthesia.</p>
<p><em><strong>Partners:</strong></em> <a title="Canada Council for the Arts" href="http://www.canadacouncil.ca/" target="_blank">Canada Council for the Arts</a>, <a title="STEIM (Amsterdam)" href="http://www.steim.org" target="_blank">STEIM.org</a>, <a title="Detour" href="http://worm.org/detour/" target="_blank">worm/detour</a>, <a title="Culture Lab NCL" href="http://www.ncl.ac.uk/culturelab/" target="_blank">Culture Lab</a>, <a title="Jo Kazuhiro" href="http://jo.swo.jp/" target="_blank">Jo Kazuhiro</a>,<a title="Yao Chung-Han" href="http://www.yaolouk.com/" target="_blank"> Yao Chung-Han</a>, <a title="Loud Objects" href="http://www.loudobjects.com/" target="_blank">Loud Objects</a>, <a title="phil hearns" href="http://www.art-rash.com/pixelform" target="_blank">Phil Stearns</a>, <a title="Atsuhiro Ito" href="http://www.japanimprov.com/aito/index.html">Atsuhiro Ito</a>, <a title="OT301 Amsterdam" href="http://ot301.nl" target="_blank">OT301</a>, <a title="http://rhiz.org/" href="http://rhiz.org/" target="_blank">RHIZ</a>, <a title="Issue Project Room" href="http://www.issueprojectroom.org/">Issue Project Room</a> (Thanks to <a title="Adam Parkinson" href="http://manwithfeathers.wordpress.com/" target="_blank">Adam Parkinson</a>, <a title="Michael J Horan" href="http://yobitches.com/" target="_blank">Michael J. Horan</a>, <a title="Ko Le Chen" href="http://www.flickr.com/people/kolechen/" target="_blank">Ko Le Chen</a>)</p>
<p><em><strong>Link:</strong></em> <a title="MLB site" href="http://www.mlbmlbmlb.com/" target="_blank">mlbmlbmlb.com</a></p>
]]></content:encoded>
			<wfw:commentRss>http://www.heavyside.net/mlb/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Data Calorimetry</title>
		<link>http://www.heavyside.net/data-calorimetry</link>
		<comments>http://www.heavyside.net/data-calorimetry#comments</comments>
		<pubDate>Fri, 10 Dec 2010 13:42:30 +0000</pubDate>
		<dc:creator>jamie</dc:creator>
				<category><![CDATA[2010]]></category>
		<category><![CDATA[installation]]></category>
		<category><![CDATA[online]]></category>

		<guid isPermaLink="false">http://www.heavyside.net/?p=2494</guid>
		<description><![CDATA[Twined applications in 1804 and 1809 by Campillo and Sömmering gave us the first long-distance electrical telegraph. These electrochemical contraptions comprised simple on/off switching at the transmission end, coupled to wires immersed in tubes of acid at the receiving station. The tubes were labeled with a unique alpha-numeric character, and hydrogen bubbles resulting from electrolysis [...]]]></description>
			<content:encoded><![CDATA[<p>Twined applications in 1804 and 1809 by Campillo and Sömmering gave us the first long-distance electrical telegraph.  These electrochemical contraptions comprised simple on/off switching at the transmission end, coupled to wires immersed in tubes of acid at the receiving station.  The tubes were labeled with a unique alpha-numeric character, and hydrogen bubbles resulting from electrolysis of the acid would convey both message and meaning.</p>
<p>Data Calorimetry is an interactive installation comprised of two computers serving up digital documents to one another.  These documents detail the natural history of electrical telecommunications development.  The data cable connecting the two servers has been spliced, and placed in a tube containing a strong acid.  As data is transmitted through this acid, glitches appear on screen, hydrogen bubbles are produced, and a metered temperature rise give a sense of the material energy and power of digital information.</p>
<p><em><strong>Partners:</strong></em> <a title="Culture Lab NCL" href="http://www.ncl.ac.uk/culturelab/" target="_blank">Culture Lab</a></p>
]]></content:encoded>
			<wfw:commentRss>http://www.heavyside.net/data-calorimetry/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>How Does Anyone Ever Get Anything Done Around Here</title>
		<link>http://www.heavyside.net/how-does-anyone-ever-get-anything-done-around-here</link>
		<comments>http://www.heavyside.net/how-does-anyone-ever-get-anything-done-around-here#comments</comments>
		<pubDate>Tue, 02 Nov 2010 14:04:10 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[2010]]></category>
		<category><![CDATA[image]]></category>

		<guid isPermaLink="false">http://www.heavyside.net/?p=2362</guid>
		<description><![CDATA[A time-compressed version of the original A-Team television series, based on a single, personally-memorable aspect of the show.  The 98-episode series is contracted to scenes showing the handwork Sergeant Bosco Albert (Bad Attitude) Baracus during the preparatory interludes prior to each episode&#8217;s concluding showdown.  Original re-orchestration of the A-Team theme recorded with Aby Vulliamy and [...]]]></description>
			<content:encoded><![CDATA[<p>A time-compressed version of the original A-Team television series, based on a single, personally-memorable aspect of the show.  The 98-episode series is contracted to scenes showing the handwork Sergeant Bosco Albert (Bad Attitude) Baracus during the preparatory interludes prior to each episode&#8217;s concluding showdown.  Original re-orchestration of the A-Team theme recorded with Aby Vulliamy and George Murray.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.heavyside.net/how-does-anyone-ever-get-anything-done-around-here/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Resonator</title>
		<link>http://www.heavyside.net/resonator</link>
		<comments>http://www.heavyside.net/resonator#comments</comments>
		<pubDate>Mon, 01 Nov 2010 00:52:58 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[2010]]></category>
		<category><![CDATA[audio]]></category>
		<category><![CDATA[installation]]></category>
		<category><![CDATA[workshop]]></category>

		<guid isPermaLink="false">http://www.tranzducer.com/?p=1729</guid>
		<description><![CDATA[Resonator (part of the AV10 Festival) is an event looking at resonance and vibration in the context of sound art and related pursuits.  An international group of metaphysicians and artists working with sound are brought together for a week long process: talks and discussions, technical workshops, physical building sessions, sound walks and other &#8216;field trips&#8217; [...]]]></description>
			<content:encoded><![CDATA[<p>Resonator (part of the AV10 Festival) is an event looking at resonance and vibration in the context of sound art and related pursuits.  An international group of metaphysicians and artists working with sound are brought together for a week long process: talks and discussions, technical workshops, physical building sessions, sound walks and other &#8216;field trips&#8217; and collaborative creation of artwork.  At the end of the process a gallery exhibition is prepared from sketches, models and prototypes created during the week.  Co-organised with <a title="http://willschrimshaw.net/" href="http://willschrimshaw.net/" target="_blank">Will Schrimshaw</a>.</p>
<p><em><strong>Partners:</strong></em> <a title="http://www.avfestival.co.uk/" href="http://www.avfestival.co.uk/" target="_blank">AV10</a>, <a title="Arts Council England" href="http://www.artscouncil.org.uk/" target="_blank">Arts Council England</a>, <a href="http://www.ncl.ac.uk/culturelab/" target="_blank">Culture Lab</a>, <a title="http://www.nuritbarshai.com/" href="http://www.nuritbarshai.com/" target="_blank"> Nurit Bar-Shai</a>, <a title="http://www.soundspirit.co.uk/" href="http://www.soundspirit.co.uk/" target="_blank">James D&#8217;Angelo</a>, <a title="http://www.1010.co.uk/org/" href="http://www.1010.co.uk/org/" target="_blank">Martin Howse</a>, <a title="http://www.brandonlabelle.net/" href="http://www.brandonlabelle.net/" target="_blank">Brandon LaBelle</a>, <a title="http://www.soundhealingresource.com/about.aspx" href="http://www.soundhealingresource.com/about.aspx" target="_blank">John Stuart Reid</a>,<a title="http://www.annrosen.nu/" href="http://www.annrosen.nu/" target="_blank"> Ann Rosén</a>, <a title="http://www.ftarri.com/festival/hankil-e.html" href="http://www.ftarri.com/festival/hankil-e.html" target="_blank">Hankil Ryu</a>, <a title="http://kanta.but.jp/" href="http://kanta.but.jp/" target="_blank">Kanta Horio</a></p>
<p><span><em><strong>Link:</strong></em> </span><a title="http://largervibrationalcontinuum.org/" href="http://largervibrationalcontinuum.org/" target="_blank">largervibrationalcontinuum.org</a></p>
]]></content:encoded>
			<wfw:commentRss>http://www.heavyside.net/resonator/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>CURRENT</title>
		<link>http://www.heavyside.net/current</link>
		<comments>http://www.heavyside.net/current#comments</comments>
		<pubDate>Fri, 15 Jan 2010 10:38:35 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[2010]]></category>
		<category><![CDATA[installation]]></category>

		<guid isPermaLink="false">http://www.tranzducer.com/?p=1758</guid>
		<description><![CDATA[CURRENT is a set of illuminated elements along the front and rear cheeks of a set of 20 beach chalets along the East coast of the UK. A number of cedar slats which clad the huts are replaced with white lighting elements that react dynamically to local wind speed &#8211; animating and visualizing the energy [...]]]></description>
			<content:encoded><![CDATA[<p>CURRENT is a set of illuminated elements along the front and rear cheeks of a set of 20 beach chalets along the East coast of the UK. A number of cedar slats which clad the huts are replaced with white lighting elements that react dynamically to local wind speed &#8211; animating and visualizing the energy of the wind. A wind turbine is installed near the chalets, and this system provides all the energy required to drive the artwork.  Co-created with Laura Harrington.</p>
<p><em><strong>Partners:</strong></em> <a title="http://harringtonprojectsea.wordpress.com/" href="http://harringtonprojectsea.wordpress.com/" target="_blank">Laura Harrington</a>, <a title="http://www.inspirenorthumberland.co.uk/" href="http://www.inspirenorthumberland.co.uk/" target="_blank">Inspire Northumberland</a>, <a href="http://www.ncl.ac.uk/culturelab/" target="_blank">Culture Lab</a></p>
<p><em><strong>Link:</strong></em> <a title="http://www.inspirenorthumberland.co.uk/ProjectDetail.php?projectId=39" href="http://www.inspirenorthumberland.co.uk/ProjectDetail.php?projectId=39" target="_blank">Current at Inspire Northumberland</a>, <a title="http://www.journallive.co.uk/north-east-news/todays-news/2010/01/15/wind-farm-debate-highlighted-in-blyth-artwork-61634-25605472/" href="http://www.journallive.co.uk/north-east-news/todays-news/2010/01/15/wind-farm-debate-highlighted-in-blyth-artwork-61634-25605472/" target="_blank">Journal Live</a></p>
]]></content:encoded>
			<wfw:commentRss>http://www.heavyside.net/current/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>From Here On Out</title>
		<link>http://www.heavyside.net/from-here-on-out</link>
		<comments>http://www.heavyside.net/from-here-on-out#comments</comments>
		<pubDate>Wed, 30 Dec 2009 01:13:20 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[2009]]></category>
		<category><![CDATA[audio]]></category>
		<category><![CDATA[image]]></category>
		<category><![CDATA[installation]]></category>
		<category><![CDATA[performance]]></category>

		<guid isPermaLink="false">http://www.tranzducer.com/?p=1745</guid>
		<description><![CDATA[A multimedia GPS walking tour of Newcastle city center, exploring the industrial social-history of the city.  Energy and infrastructures hardware are digitally layered onto the real cityscape, and experienced in-place.  Human performers and physical items spotted in the city are further used to merge uncanny media and real worlds.  Commissioned by Wunderbar Festival 2009. Partners: [...]]]></description>
			<content:encoded><![CDATA[<p>A multimedia GPS walking tour of Newcastle city center, exploring the industrial social-history of the city.  Energy and infrastructures hardware are digitally layered onto the real cityscape, and experienced in-place.  Human performers and physical items spotted in the city are further used to merge uncanny media and real worlds.  Commissioned by Wunderbar Festival 2009.</p>
<p><em><strong>Partners:</strong></em> <a title="http://www.wunderbarfestival.co.uk/" href="http://www.wunderbarfestival.co.uk/" target="_blank">Wunderbar Festival</a>, <a title="http://www.northernmedia.org/" href="http://www.northernmedia.org/" target="_blank">Northern Film and Media</a>, Andrzej Wojtas, Guy Schofield, Rachel Gay, <a href="http://www.ncl.ac.uk/culturelab/" target="_blank">Culture Lab</a></p>
<p><em><strong>Link:</strong></em> <a title="http://fromhereonout.org/" href="http://fromhereonout.org/" target="_blank">http://fromhereonout.org/</a><a href="http://www.ncl.ac.uk/culturelab/" target="_blank"></a></p>
]]></content:encoded>
			<wfw:commentRss>http://www.heavyside.net/from-here-on-out/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Human Potential (Movement)</title>
		<link>http://www.heavyside.net/human-potential-movement</link>
		<comments>http://www.heavyside.net/human-potential-movement#comments</comments>
		<pubDate>Tue, 29 Dec 2009 01:05:24 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[2009]]></category>
		<category><![CDATA[installation]]></category>
		<category><![CDATA[performance]]></category>

		<guid isPermaLink="false">http://www.tranzducer.com/?p=1737</guid>
		<description><![CDATA[“Sustainability” is ridiculous. A bicycle-generator powers a water pump and lighting system for a plantation of hydroponically grown, edible plants. Biker eats plants. Repeat. There are losses in this system. Partners: Siggraph Asia 2009, hydroponics.co.uk, Culture Lab Partners: Siggraph Project Page]]></description>
			<content:encoded><![CDATA[<p>“Sustainability” is ridiculous. A bicycle-generator powers a water pump and lighting system for a plantation of hydroponically grown, edible plants. Biker eats plants. Repeat. There are losses in this system.</p>
<p><em><strong>Partners:</strong></em> <a title="http://www.siggraph.org/asia2009/" href="http://www.siggraph.org/asia2009/" target="_blank">Siggraph Asia 2009</a>, <a title="http://hydroponics.co.uk/" href="http://hydroponics.co.uk/">hydroponics.co.uk</a>, <a href="http://www.ncl.ac.uk/culturelab/" target="_blank">Culture Lab</a></p>
<p><em><strong>Partners:</strong></em> <a title="http://www.siggraph.org/asia2009/for_attendees/art_gallery/details/?type=artgallery&amp;id=298" href="http://www.siggraph.org/asia2009/for_attendees/art_gallery/details/?type=artgallery&amp;id=298" target="_blank">Siggraph Project Page</a><a href="http://www.ncl.ac.uk/culturelab/" target="_blank"></a></p>
]]></content:encoded>
			<wfw:commentRss>http://www.heavyside.net/human-potential-movement/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>ROBO POEMS</title>
		<link>http://www.heavyside.net/robo-poems</link>
		<comments>http://www.heavyside.net/robo-poems#comments</comments>
		<pubDate>Mon, 28 Dec 2009 15:11:41 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[2009]]></category>
		<category><![CDATA[audio]]></category>
		<category><![CDATA[installation]]></category>

		<guid isPermaLink="false">http://www.artstar.co.uk/wp/wp2/?p=1412</guid>
		<description><![CDATA[ROBO POEMS is micro-radio poetry, powered by the city. Urban energy siphoning strategies are used to power hidden radio transmitters in the city &#8211; sending out messages of forlorn robotic disenchantment by Kingston, Ontario poet/author Corey Murphy. Partners: Culture Lab, EYEBEAM Links: robopoems.com]]></description>
			<content:encoded><![CDATA[<p>ROBO POEMS is micro-radio poetry, powered by the city. Urban energy siphoning strategies are used to power hidden radio transmitters in the city &#8211; sending out messages of forlorn robotic disenchantment by Kingston, Ontario poet/author Corey Murphy.</p>
<p><em><strong>Partners:</strong></em> <a href="http://www.ncl.ac.uk/culturelab/" target="_blank">Culture Lab</a>, <a href="http://eyebeam.org/" target="_blank">EYEBEAM</a></p>
<p><span><em><strong>Links:</strong></em> </span><a href="http://www.robopoems.com/" target="_blank">robopoems.com</a></p>
]]></content:encoded>
			<wfw:commentRss>http://www.heavyside.net/robo-poems/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Last Laugh</title>
		<link>http://www.heavyside.net/last-laugh</link>
		<comments>http://www.heavyside.net/last-laugh#comments</comments>
		<pubDate>Sat, 26 Dec 2009 15:08:42 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[2009]]></category>
		<category><![CDATA[installation]]></category>

		<guid isPermaLink="false">http://www.artstar.co.uk/wp/wp2/?p=1409</guid>
		<description><![CDATA[Description: A wind-powered outdoor rock speaker plays a cassette loop of a 1970ʼs sitcom laugh track.  The speed of the laugh track varies directly with wind speed. Partners: Culture Lab, Harehope Quarry Project]]></description>
			<content:encoded><![CDATA[<p><strong><em>Description:</em></strong> A wind-powered outdoor rock speaker plays a cassette loop of a 1970ʼs sitcom laugh track.  The speed of the laugh track varies directly with wind speed.</p>
<p><em><strong>Partners:</strong></em> <a href="http://www.ncl.ac.uk/culturelab/" target="_blank">Culture Lab</a>, <a href="http://www.harehopequarry.org.uk/" target="_blank">Harehope Quarry Project</a></p>
]]></content:encoded>
			<wfw:commentRss>http://www.heavyside.net/last-laugh/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>

